17 May 2009

Cue Romania!


'The Balkan girls, they like to party like nobody.' - Elena (not me, idiot)

Sunday, 5:28 a.m.
I love, love, love me some online video.  SBS has posted the Eurovision semi-finals, and OH MY GOD, YOU GUYS.  I generally avoid the semis because I like the competitors to be a surprise on the night, but I couldn't resist.  I've got a LOT of time to kill right now (I'm here until 10:30 a.m., and I've been alone in the Tower since Tim left at about 1:30 a.m., and while we're on the topic, can we all pour one out for the Boston Bruins? [sigh]) and four hours of EuroTrash seemed to be the way to go.

I was not wrong.  I think Finland is my favourite so far (how old is he?), but Azerbaijan has some yummy tronic dancing girls and I'm an easy sell.  (I swear to god, one of them just mimed fisting.  Inappropriate, Azerbaijan!  Or are they just going for the voting bloc that got Serbia up in 2007?)  And hey, if you want old dudes in sequins and borderline racism, we got that too!

I was also reminded for some reason of Billy Connolly's joke about his beard having turned 'Turkish hooker blond' as he got older.  Can't think why that would have been....

And in case you were wondering, this is apparently what an anti-crisis girl looks like.  I'm not sure which of those words is the biggest lie.

Cue Catherine Wheel.


'This is good news... for a change.' - Tim

As you might have gathered, the observations haven't been going brilliantly.  No fault of ours, fortunately, except in the sense that Tim is trying to get the telescope to do things it's never done before and so it's uncharted waters, but it's still been a bit much for him.  With sincere and fully merited respect to the crew of people who have managed to keep this beautiful and intricate piece of machinery working for several decades, it seems that a fair bit of kludging goes on here, and while that's an important and useful skill, it can make unpicking subsequent errors quite tricky.  There's been a lot of work involved, is what I'm saying.

Though not for me, clearly: I'm still just doing my overnights, pretty well oblivious to everything else.  This shift is my last, sadly, and I'll be on a plane back to Sydney around 5:00 p.m. tomorrow.  I would love to come back someday, though it's extremely unlikely that I'll have the opportunity, so I'm trying to soak up as much of it as I can.  Tonight's excitement was that I got to drive the dish manually, which is the thing I was most afraid of doing, even though the likelihood of my causing a disaster is pretty slim.  Everything went fine, though, due in no small part to Tim's presence.  We had to take manual control unexpectedly because...

Oh dear.  I've painted myself into a corner here.  I've been trying to avoid talking too much science, mostly because I'm not confident that I have a good enough grasp of the details to be able to communicate them accurately, let alone clearly.  But to tell this story I have to acquaint you with some of the more basic operational stuff, so please bear with me and my dodgy metaphors:

So.  In this photo, you can see the Dish and the Tower (the three-story lighthouse-looking building on top of which the Dish sits).  The angle of this photo gives you a good idea of how the Dish moves: it can move in a circle around the Tower like a train on a small circular track (this is called movement in azimuth), and it can move up and down in an arc, as if the pointy bit that sticks up were drawing a rainbow across the sky (this is called movement in zenith).

With me so far?  Good.

The hitch is that it can't move fully in either azimuth or zenith.  In azimuth, it is limited by cables that can wrap around the base of the Dish, so you end up with only about 265˚ of movement in either direction.  In zenith, it's limited in two ways: 1) you don't want to crash it into the ground, so you can only start observing at about 30˚ off the ground/horizon; and 2) the Dish can't do a complete arc and will stop at about 1.2˚ off full vertical.  This gives you a range of a bit under 60˚ in zenith.  (The only time it goes to full vertical is when it's being 'stowed' (stopped and locked in place), and you have to move it there under manual control - the computer doesn't do it.)

If you try to exceed any of the limits in either azimuth or zenith, alarms will go off and the Dish will shut down, and you'll have to move it manually back into an acceptable range.  This is what happened tonight: the source we were tracking ended up directly above the Dish for about 10 minutes, and because the Dish can't go to full vertical, we got the alarms and hoo-ha.  We waited until the source had moved back into an acceptable range, and then we went upstairs to the Old Control Room (that's the one you'd have seen them using in the movie) and I pressed the required buttons and tweaked the required dials to get it down to 2˚azimuth, at which point the computer could take over again and tracking could resume.  It was awesome in the literal sense of the word: I couldn't (and still can't) take in that my hand was moving 1,000 tonnes of metal and cable and genius.  I am quietly falling in love with this telescope.

Unfortunately I was unable to have one of the biggest-deal experiences of being here, namely riding and climbing the Dish.  While I wasn't sure that I'd climb all the way up (the pointy bit at the top of the photo?  Yeah, there.), I was very keen to ride it: what happens is, they tip it all the way down on one side (a bit more than it is in the photo), and you climb up onto a staircase and into a little caged platform thing.  You then stay on that platform while the Dish is moved to full vertical for stowing, and once it's stowed you walk across the Dish and climb up to the top, if you want/need to.  I wasn't sure if I'd be able to manage the climb - I'm fine with heights as long as I feel secure, but I wasn't sure how I'd go with the open air around me - but I was definitely keen to ride it up.

There was a great opportunity for me to do this first thing on Thursday morning, the first day of observing, because the Dish had to be stowed so that some work could be done to prepare for Tim's daytime observations.  Unfortunately, after conversations with some of the Dish staff on Wednesday night, Tim had sussed that there were already problems presenting themselves and he had to make an early-morning phone call on Thursday to try to sort some things out.  This made us a couple of minutes late getting down to the Dish, and they had gone ahead without us, and because they only allow you to climb when the telescope's not in operation, for obvious reasons, and there were no other down-times planned for the time I'd be here... yeah.  No riding the Dish for me.  My fervent hope is that I'll be able to come back at some point and I'll get to try it then, but for now I'll have to be happy just to have run it for three nights.  Which isn't all that hard, really.

16 May 2009

Cue Smackmelon.


'This is why I'm constantly giving my money to con men and joining cults: it's my damnable sense of the romantic and the picturesque.' - Jacob

Saturday, 4:02 a.m.
The thing about being here?  Is that it's kind of terrifying, and gives you way too much time to think when fueled entirely by caffeine and processed foods.  I'm trying to stick to good stuff, to peppermint tea and VitaWeats and apple cake I made for us at home, but sooner or later the snackies kick in and the next thing you know you're eating packet 'cream' of 'chicken' soup with chocolate NutriGrain bars crumbled in like crackers and drinking rocket fuel.  Thanks at least in part to my effed-up body clock I'm wanting to nosh on something pretty much every hour, and I didn't bring a wide-enough variety of foodstuffs to sustain me without raiding the telescope's pantry for fakey-fake goodness.  Want to know how fakey-fake?  I'm craving McDonald's because I want real food.

I know.

I have to say that I kind of like the silence, much more than I expected that I would, though admittedly it's silence for a given value of silence: you can hear the Dish from all the way back outside the quarters, which is almost a full kilometre away.  It's only a faint hum then, and only when it's moving, but it's there just the same.  From here in the Control Room it's much louder, with all the creaks and cracks and mechanical whinging you'd expect from a 1,000-tonne telescope, and you've got lots of other ambient noise to contend with: the heating system, the notification noises on the computer (which are all set to be various bird calls, and in case you're wondering, the Bad Thing sound is a cockatoo), and the various alarms that you're always trying to avoid but sometimes forget about.  Like the Dead Man's Handle set-up, which requires resetting by the operator every 14 minutes and 40 seconds.  In theory, it's hard to miss: the primary panel with the countdown clock and the reset button is just above and to the right of the main computer (at which I am seated), and there are two accessory reset buttons at either end of the long desk on which the computers sit, as well as a motion detector that will reset the clock if it picks up any movement within the first four minutes of the count.  But the panel is just outside of my peripheral vision; the accessory buttons are far away from me; and the backs of the chairs come way over my head, so unless I stretch my arm up the motion detector doesn't register me.  All of which means that I have set the alarm off twice now, which is not a problem in that it buzzes for 10 minutes before it goes to the outside world, to give the operator a chance to wake up/finish making tea/come back inside/whatever before waking up innocent bystanders, but is a problem in that it scares the bejesus out of me.

That all having been said, though, I like having just those noises around me.  I'll probably raid Tim's Terabyte of Music later this morning when the sleep dep is really kicking in, but for now it's quite lovely and peaceful to have only the sounds of the Dish: the whirring and purring when the telescope is slewing; the blowing of the vents and the barely-audible electronic buzzing of the computers; the whipbirds and bell miners and magpies who keep watch over Tim's programs and let me know what I have to do.  I'm happy here.

15 May 2009

Cue Stevie Nicks.


'I'm feeling witchy.' - Tim

Friday, 8:20 p.m.
My current shift started about an hour ago, and I'm already worried about my staying power.  I didn't get as much sleep today as I'd have liked, thanks to a group of visiting high school science teachers who are here for a weekend astronomy conference.  It's a pretty awesome program, bringing teachers from all over Australia, and predominantly from rural areas, to Parkes to learn exciting stuff to add to their curricula, and I have no gripe with that.  The problem is that they're teachers, which automatically means that you can't tell them anything (I say that as the daughter of a teacher, the niece of two teachers, the friend of many teachers, and a teacher myself), and they're science teachers who are here with other science teachers to worship at the altar of geekery, so the level of social skills is maybe not so high overall.  And they reckon they're pretty special being here, which doesn't help.  So when they're told by a mere staff member that the door to the women's quarters needs to stay shut because there's an observer sleeping all day (an observer who, unluckily, has the room closest to that door and therefore the common spaces where everyone congregates loudly), they don't give a damn, because a staff member is not someone they're interested in listening to - she doesn't even have a badge, for crying out loud!  And thus if it's easier for them to keep propping the door open, well by god, they're going to do it.  So poor Jenny kept shutting the door all day long, trying to keep things quiet for me, but the teachers were convinced they knew better, and kept re-propping it.

The teachers did not know better.

At any rate, I woke up pretty much just as the weekly barbecue was starting, which was good in a way, as I'd wanted to have dinner with a few of the staff I liked who only work weekdays - I leave on Sunday, so this would be my last chance to see them.  Unfortunately, I got bumped from my seat at dinner (my mug of tea was in that spot for a reason, genius), and ended up at a table full of... visiting teachers!  I sat very still and ate my food quietly and made my escape as soon as I could, but it wasn't nearly soon enough.  I was near tears at this point, from the tiredness and the jangled body clock, and it didn't help that I had just learned from one of the staff that, due to a problem with some filter somewhere, all of the observations Tim and I had done for the first 36 hours were junk.

Tim, poor bugger, had had his own run-in with the teachers earlier in the day, while he was trying to sort out the problem that had effed up all the observations.  The teachers came into the Control Room en masse and made such a ruckus that he had to shush them because he couldn't hear the guy he was working with, who was sitting only a foot away from him.  And if that wasn't bad enough, 10 minutes later he had to do it again.  All I could think of was my Dad, who would have turned around with That Look and snapped, 'You are GUESTS here, darlings.  Behave yourselves.'  Bad enough from kids, but these were grown men and women, and there is no excuse.

I realise I might sound harsh, but it's all a good example of how extreme circumstances can bring out the worst in people.  It's tight quarters here, and the staff are overworked and often underslept, and, well, let's just say that I've met a couple of folks who I'm guessing would have been in specialised/selective schools throughout their formative years and are the best argument for public schooling I've ever seen.  Parents, please: expose your children to normal humans.  Your babies may be gifted and talented in all sorts of ways, but proper socialisation only comes from participating in society.  Your kids need to learn to play well with others.  I've seen what happens if you don't allow that to happen, and NO ONE THINKS IT'S CUTE.

[/ rant]

Anyway.  As I said, I'm a bit worn tonight.  My eyes are a bit blurry and scorched-feeling, and the fluoro lights and the computer screens aren't helping.  I mean, I'm fine, and despite all my bitching I'm still thrilled to bits to be here, so all of this is just trivial and by-the-way.  It's just... at some point you start expecting adults to behave like adults, you know?  If you're visiting a place, you treat it with respect.  If you're in someone's workspace, you do your best not to get in the way.  You treat everyone with courtesy until/unless they give you a reason not to.  You do not ever, EVER assume that you are special, because you are not.  In fact, the more special the experience feels to you, the less special you are likely to be to the experience, if you follow me: it is a once-in-a-lifetime chance for me to be here, and I am fortunate enough to be one of the handful of people in the world who will ever have the opportunity to do what I'm doing.  But I am well aware that The Dish and its staff do not need me (and they certainly don't need a bunch of high school teachers from Far West Woop Woop).  I need them, and it therefore behooves me to make it as easy as possible for them to give me what I need.

Naturally, Tim worked all this out a long time ago: if you're nice to the people who Get Stuff Done, your stuff is much more likely to get done.  And I think most people know this on some level, but they fall down by failing to realise that the people who Get Stuff Done are rarely the people with the fancy titles.  Those people are often of great help, of course, but when it comes down to the daily nitty-gritty, they aren't the ones who will feed you or house you or make sure your paperwork gets to the right people on time.  If you work in an office, get to know the admin staff.  If you spend your time living at telescopes, get to know the support staff.  These are the people who make the place run; they know the ins and outs and arounds; and they always have the best gossip.


But enough of this.  There's more than enough wondrousness around me here to distract me from my bitching.  The sky... wow.  It's huge.  It seems to stretch forever, even in daylight; at night it defies description.

And it's dark.  The darkness here is much darker than the darkness I'm used to.  I'd forgotten what real darkness actually looks like, and here?  It is absolute.  And because we're coming up to winter, it's pitch by 6:00 p.m. and stays that way for more than 12 hours.  I keep forgetting how dark it is and stepping outside without a torch, only to take two steps and have no idea where the hell I am.

The flip side of this is that the sunshine seems really white, really clear.  Maybe I'm used to the haze of the city and the ocean, but the light here is messing with me.  The strength of it - not the heat, but the light - plays with my brain in some way that makes me feel like it's much later in the day than it is.  Couple that with the dark dark darkness that kicks in so early and I'm misestimating the time by two or three hours all day and night.

And there are animals!  Kangaroos galore, of course, because it's kind of a safe haven for them, but also rabbits and all kinds of beautiful birds.  There are galahs, which I love beyond all reason, and a couple of different kinds of parakeet in garishly bright colours, and then tonight, on the drive up to the telescope from the quarters, we passed an owl sitting like lawn statuary on the side of the road.  It was the first time I've ever seen an owl in the wild, and it was profoundly disturbing because even as we drove by I could feel it judging me.  Owls, man.  They're intimidating.

The kangaroos are my favourite, though.  I know around here they're more like pests than anything, but they're so...I don't know, different.  They've got these really sweet, goofy faces, like rabbits, stuck on these massive bodies that move in exactly the wrong way.  They hop.  That is not right.

The narrow road between the telescope and the quarters is densely lined with trees on both sides, which separate the road from the big paddocks where the kangaroos hang out.  On our first day here, as Tim and I walked up the road to the telescope, the 'roos had taken up positions amongst the trees all the way up, and it was hard not to feel like we were on parade.  This is the closest that Tim has yet been to any kangaroos, and he was equally impressed and spooked by the stern way they watched every step we took.  This was surpassed, though, when a mob went hopping across the road all around us.  Because the paddocks are fenced, most of them chose to follow the same path across, where there were open gates in the fences on both sides, but what made it quite funny for the human observers was that the path they followed was the old train tracks, and they went across in tight single file, right on each others' tails, so it looked  for all the world like a bunch of kangaroos playing train.  Awesomer.

Anything you can do...


Well, hell, if J can hijack the blog to read whatever she damn well pleases, I can hijack the blog to talk about other things.  And what I want to talk about at the moment is Parkes.

Some of you will know that I'm currently installed at the Parkes, NSW radio telescope, affectionately known as The Dish (yes, the one from the movie, and it's exactly like that).  Tim, beloved flatmate and astroboy extraordinaire, was given a week's observing time out here, with the first 80 hours being continuous.  Amazing though he is, even he could not manage that by himself, and when no other astronomers were available he asked if I'd be willing to pitch in.  So here I am, running the telescope on the first of three overnight shifts: entirely alone, utterly unqualified and having very little concept of what I'm actually doing.  Tim has promised to explain it to me better in the near future, but for now, all I'm doing is entering the same set of commands into a GUI over and over and keeping an eye on several computer screens to make sure nothing 'weird' happens.  Which, you know, assumes that I'd recognise weird if I saw it.

The bigger part of my job, which hopefully I won't be called upon to do, involves making sure that the telescope doesn't crash into the ground or burst into flames.  Those of you familiar with my track record with household appliances might be surprised that I'd be trusted with such a task, but what The Powers That Be don't know won't hurt them.  An interesting aspect of this, though, is that my complete ignorance has nothing to do with my lack of astronomical qualifications or experience: Parkes is the only radio telescope still in operation that has to be operated on-site.  All the rest of them can be done by computer from wherever you are in the world, but Parkes is old-schoolin' it and demands your constant physical presence in the Control Room (whence I write this entry).  Everyone arrives here having no idea how to do it no matter how much other observing experience they've had, which is kind of heartening for me.

On the flip side, this degree of back-to-basics-ness means that it is not unlikely that I will be called upon to drive the telescope manually.  Which is terrifying, frankly.  I mean, I don't doubt that I could do it, but... look, right now I'm getting a minor case of the shakes (I've been up for 24 hours, less a three-hour nap that concluded 14 hours ago), and I really wouldn't trust my hands or my brain to do anything more complicated than make tea - and that includes carrying the tea up the steps to the Control Room without losing most of it.

I've also got a bit of that weird, addled euphoria that kicks in at a certain stage of exhaustion, so I'm bouncing around in my chair and singing loudly and giggling at nothing.  What kills me is that Tim only went to bed a few hours ago and he had been working - and doing serious work, not just pushing buttons in sequence like I am - for 19 hours straight at that point, without even a meal break, and it barely showed.  How the hell do you do this sort of work on those hours?  I am only managing to be upright at this point thanks to his incredibly vast musical collection, which is bringing me back into contact with bands from my misspent yoof whom I saw dozens of times and fully adored and have since forgotten completely.  Most of this happened in the move from tapes to CDs; a lot of my cassette collection never got replicated, and I am just now realising to what extent my life is the poorer for it.  (Hi, Velvet Crush!  Whatever happened to you guys?)

I hope to do a couple more entries because I have heaps more to say.  The sky alone... I wouldn't even know where to start.  It's just bigger here, in defiance of all logic and natural law.  And The Dish itself is spectacular.  It's mesmerising.  In the middle of some truly spectacular scenery, it still manages to be the most beautiful sight in view.  I'll try to put up some photos soon, not that they could ever do it justice.

In other, more Lit-Girls-y news, I have finally gotten around to _To the Lighthouse_, and in the words of Dorothy Parker, 'This is not a novel to be tossed aside lightly. It should be thrown with great force.'  So after about 35 pages I'm giving it zero strings and chucking it at the nearest wall, with firm instructions for the stream-of-consciousness types to bite me.  If you want my attention, earn it with a good story; don't try to trick me into feeling impressed because you talk in circles and struggle to stay on top of your own fancy foofaraw.  I'm not that easily fooled, Woolf.  Not by a long shot.

05 April 2009

My Next Task: Glee ... with an e!


I was thrilled when Melanie recommended Anne of Green Gables by L. M. Montgomery for this project. And then disappointed when I realised E and I had agreed we'd only review things we hadn't read before. And then smug when I remembered that this is (at least half) my blog and I can do whatever the hell I like. And I like Anne. I like her a lot.

I devoured the Anne Shirley stories as a young girl, gobbling them down one-after-the-other. But it was Anne of Green Gables, the first of the series, that I read and re-read and re-re-read between the ages of about eight and fourteen. While I remember enjoying others in the series (Anne of Avonlea and Anne of the Island particularly) it was Anne's early experiences small town Avonlea that have burnt themselves into my memory: Anne carrying all her "worldly belongings" into the farm for the first time; Anne declaring Diana Barry to be her "kindred spirit" and "bosom friend" immediately on meeting; Anne's constant dedication to finding the best "scope for the imagination" in any situation.

Anne was intelligent. She was opinionated. She was dramatic. The fact that she always had to explain how her name was spelled

"When you hear a name pronounced can't you always see it in your mind, just as if it was printed out? I can; and A-N-N looks dreadful, but A-N-N-E looks so much more distinguished. If you'll only call me Anne spelled with an e I shall try to reconcile myself to not being called Cordelia."
just sealed the deal for a J-A-C-L-Y-N who wanted to be all those things, too.

XOXO

27 March 2009

Review: Midnight's Children


The previous post's image felt about right as a review, although admittedly a little light on critical engagement. A month later, I've got nothing to add.

I've seriously been racking my brain, attempting to come up with something to say about Midnight's Children. Something that hasn't been said before. And better. By someone else.

Nothing doing, I'm afraid.

Midnight's Children is everything you've heard. It's "huge, vital, engrossing ... in all senses a fantastic book" (Sunday Times). It's "the literary map of India [...] redrawn" and "a country finding its voice" (New York Times). And yes, London Review of Books, it's a "brilliant and endearing novel."

It took the Booker in 1981, when it was published. It took the Booker of Bookers in 1993 and again in 2008. It's on Time's Top 100 Novels since 1923 List.

How could I give it anything other than Five Strings?

XOXO