Perfect Skin: Nick Earls is one of my favourite authors. He's Australian, from Brisbane (well, actually born in Northern Ireland, but has lived in Brisbane since he was a kid), and I think what I love about him is that he writes like my friends talk, if that makes sense. Better, obviously, because he has the luxury of multiple drafts, but it still feels very comfortable and familiar. A stellar example from Perfect Skin:
I think you'd like it, Ashley, Oscar says. It's very sociological. Very influenced by the icons of our contemporary consumerist digital society.Sounds good, Ash says, and convincingly too, though we all know that Oscar delved a little too deep into the adjective bucket to make complete sense.
See? Brilliant. I've read this book dozens of times, and that line still makes me laugh out loud every time.
Perfect Skin is the follow-up to Bachelor Kisses, but you don't need to have read that to read Perfect Skin - only the main character carries over, apart from a couple of small references here and there. I preferred Bachelor Kisses for a long time, or thought I did anyway; as time passed, I found myself reaching for Perfect Skin more and more often. I don't think it's Earls's best book (that would be The Thompson Gunner, which I also highly recommend), but it and Zigzag Street are my favourites. They're the comfort food of literature, or maybe more like security blankets: when I feel crap, these are the books I pull off the shelf. I carry them around, I read them in spare seconds, I fall asleep with them on the pillow next to me. They've become more than just books.
The Fran Lebowitz Reader: My best friend Sarah gave me this book for my birthday several years ago, and it's so battered and exhausted now I'm always a bit afraid it's going to disintegrate in my hands. It's a collection of articles and essays originally written for magazines, mostly back in the '70s. Her writing hasn't aged a bit, though: she's dry as dirt, but so, so funny. She's one of those rare geniuses who can write pieces full of one-liners that don't end up just sounding like transportation for those one-liners.
Generally speaking, I look upon [sports] as dangerous and tiring activities performed by people with whom I share nothing except the right to trial by jury.
The Reader is a compilation of two earlier collections, Metropolitan Life and Social Studies. Unfortunately, Lebowitz hasn't actually written much. Apart from the two books that were then republished together as the Reader, she has one kids' book... and that's it. A damn shame, because she's been rightfully classed with Dorothy Parker and S.J. Perelman as one of the great modern American humourists.
A Room with a View: I came to the book after falling in love with the movie. It was the first Merchant-Ivory production I saw, and it resonated with my teenaged flair for the dramatic. (And the first person to say, '...teenaged?' is barred.) The book is even better, and not just in that book-is-better-than-the-movie way. Forster writes beautifully and with surprising restraint given the subject matter (young love in end-of-the-Victorian-era England and Italy), while at the same time being a total, total bitch. It's that bitchiness - and the very considered ways in which he employs it - that elevates Room from a simple love story to a brilliant social satire:
'Come this way immediately,' commanded Cecil, who always felt that he must lead women, though he knew no whither, and protect them, though he knew not against what.
Take nothing away from the love story aspect, though: it's perfectly rendered. It's honest and passionate without being overwrought, which is a hell of a trick. And I would recommend the movie as well, if only to be reminded of what Helena Bonham-Carter looked like before she went crazy and married the 'Nightmare Before Christmas' guy.
XOXO
No comments:
Post a Comment